The performance of time: (or the time of musical performance) (2019)
- Authors:
- Autor USP: MELLO FILHO, SILVIO FERRAZ - ECA
- Unidade: ECA
- DOI: 10.21476/pp.2019.42226
- Subjects: TEMPO (MÚSICA); INTERPRETAÇÃO MUSICAL; FILOSOFIA DA MÚSICA; ANÁLISE MUSICAL; VIOLONCELO
- Language: Inglês
- Abstract: In the twentieth century, time became a key-concept for music – maybe the art more dependent on time. Even so, a myriad of definitions did turn this idea not only into a rich element for musical discourse but also into a conceptual battlefield in discourses about music. Unfortunately, there was an issue for this struggle between theoretical ideas and musical composition that always insisted in striking the debate: the performance. Thus, this is the aim of this short reflection: to bring performers as protagonists in the debate, listening to their experience in time and of time in performance. For this, the Augustinian link between Time and Memory is taken as a bottom line for the discussion. In understanding music as a kind of discourse, another important conceptual device will be claimed for this reflection, that is Rhetoric. The first part of this reflection recollects concepts from the Aristotelian and Augustinian approaches on time and discourse, and concludes with a review of the main definitions of time by composers in the twentieth century. The second part reviews three theoretical approaches of musical form as process. A third section comprises the embodiment of those discussions into practice in the Cello Sonata, written by Bernd Alois Zimmermann
- Imprenta:
- Source:
- Título do periódico: Performance Philosophy
- ISSN: 2057-7176
- Volume/Número/Paginação/Ano: v. 4, n. 2, p.490-509, 2019
- Este periódico é de acesso aberto
- Este artigo é de acesso aberto
- URL de acesso aberto
- Cor do Acesso Aberto: gold
- Licença: cc-by-nc-sa
-
ABNT
TEIXEIRA, William e FERRAZ, Sílvio. The performance of time: (or the time of musical performance). Performance Philosophy, v. 4, n. 2, p. 490-509, 2019Tradução . . Disponível em: https://doi.org/10.21476/pp.2019.42226. Acesso em: 07 maio 2024. -
APA
Teixeira, W., & Ferraz, S. (2019). The performance of time: (or the time of musical performance). Performance Philosophy, 4( 2), 490-509. doi:10.21476/pp.2019.42226 -
NLM
Teixeira W, Ferraz S. The performance of time: (or the time of musical performance) [Internet]. Performance Philosophy. 2019 ; 4( 2): 490-509.[citado 2024 maio 07 ] Available from: https://doi.org/10.21476/pp.2019.42226 -
Vancouver
Teixeira W, Ferraz S. The performance of time: (or the time of musical performance) [Internet]. Performance Philosophy. 2019 ; 4( 2): 490-509.[citado 2024 maio 07 ] Available from: https://doi.org/10.21476/pp.2019.42226 - Música como ação
- Três experiências da forma momento: um modelo formal do agora
- Pensando a música em seu movimento: = To think music in the movement
- Entretempo, a escuta no ponto cego da música
- A ética da performance musical
- Composição musical como campo de diálogo: para além das disciplinas
- Composição, análise, invenção
- Tornar sonoras linhas e distâncias
- Cinco invenções sobre diferença e repetição: composicoes e analises
- O corpo do tempo: uma leitura de “Prologue” de Gérard Grisey
Informações sobre o DOI: 10.21476/pp.2019.42226 (Fonte: oaDOI API)
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